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poetry
>Conclusion: Ms. Dickinson's poetry, while it may not "touch" you in
the same way as Townshend's, is better. I have spent far too long
analizing Townshend's songs and he does not have any of the symbolism or
masterful metaphores of Dickinson.
No symbolism? Hmmm. Then what's the Acid Queen? The Empty Glass?
"Drowned" seems to be a fairly decent metaphor.
Uh. BTW, is that word "analizing" one you use a lot? <blush>
>His poetry, almost without exception does not even attempt to vary from
the crudest structures. He does not posses a mastery of the language
that Dickinson clearly has. His songs rarely mean anything other than
what appears on the surface, where as Dickinson's often have several
levels of meaning.
People argue about interpretation on the lists enough that there have to
be varying possibilites. I think I detect several levels of meaning in
a couple of places. I agree that some of Townshend's meanings seem
haphazard rather than thought out. But it's Jung rather than Freud you
have to use for the key. And after all, who am I to complain about
poetry?
>I must now confess that Dickinson was perhaps a poor example to use
here, because she does not write the same type of poetry that Townshend
does, so I will continue this discussion with another poet we are all
familliar with: Walt Whitman.
I'm not a big poetry fan, but Whitman doesn't sound right either. You'll
have to come up with somebody who deals in social issues. Sandburg,
maybe?
keets
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