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cisum sdrawkcab
The mayor wrote:
Wow. How could I forget. This may not be what was used, but in the Oct. 1994
Guitar World (I think that's right) interview, Pete talks about inventing
this gadget with a friend of his.... It is actually a tape loop, that
records one way while it plays the other way. Thus, giving the *effect* of
playing backwards, without having to *really* record something and
flipping the
tape around... This could be used live... This was a long time ago, too.
Anybody else out there know what I'm talking about???
-the mayor
Yes, I know what you are talking about. The following is the response
Pete had to this question from Guitar World (GW):
GW: Your backwards guitar work on "Armenia City In the Sky", is
phenomenal, especially given the recording technology that existed in
1967. What was the inspiration for that? What do you recall about
recording that?
PT: Nothing. (laughs) I suppose by then I was pretty adept at
recording--certainly more so than the so-called producers and engineers
that we worked with in the studio. So I was probably quite adept at
backwards recording because I was doing it at home. I was certainly the
first person I knew outside of jazz, after Les Paul, to have a fully
equipped multitrack recording studio at home. I think I helped break the
ground for the idea ......{he goes on about his studio}....
{a few questions later he continues}....We (he and Todd Rundgren)
actually invented a machine that would play guitar notes backwards. It
was a helical wheel with a (recording) tape wrapped around it. The top
part of the wheel revolved forwards and the bottom part revolved
backwards. There was a group of record heads on one side and a group of
playback heads on the other side. You would play a note and the note
would travel from one side to the other. Immediately after you played
the note, it would be reproduced backwards. And as far as I can
remember, it worked!
*Taken out of order and without permission from Guitar World, I hope they
don't mind.
John