Barber's 10 Points To A Great Concert

["Brian Cady" <cadyb@home.com>]

Not really about The Who but it is about live shows which some of us have
seen lately and I thought this was so to the point (and might generate
lively discussion) that I thought I'd post it here.  This is by Nicholas
Barber from Sunday's The Independent:

As the season of goodwill is upon us, this week I have two gifts for the pop
musicians of the world. First of all, I'm not going to review any of their
concerts. And if that weren't magnanimous enough, I'd like to present, at no
extra charge, a handy, cut-out-and-keep, 10-point guide to live performance.
Simply memorise the advice below and you'll always get a glowing write-up,
unless you're Phil Collins in which case I can't make any promises. We'll
start with the basics.

1. Put On A Show. The punters are not a gang of uninvited eavesdroppers who
might go away if you ignore us. We'd appreciate some acknowledgement of this
fact, in the form of back projections, creative lighting, maybe some
pyrotechnics ... at the very least, some clothes that you haven't been
wearing all day.

2. Talk To The Fans. Only at a party conference will you find an audience
more eager to laugh itself sick at the feeblest wisecrack, so you've got
nothing to lose by attempting a greeting, a joke or an anecdote. If the
power of speech is really too much to ask of someone who is paid to
communicate, we'd settle for eye contact, some foot-tapping or any other
hint that you weren't forced on stage at gunpoint.

3. Think About Pacing. One of the confessions which turn up regularly in pop
interviews is, "We vary the order of the songs from night to night, so that
it doesn't get boring for us." But who cares if it gets boring for you? What
about us? We like our entertainment to be organised for maximum possible
momentum and drama. We don't expect a film projectionist to run the reels in
the wrong order to stop himself getting bored and we don't expect theatre
actors to mix up scenes.

4. Start Early. When, at a recent London gig, Naughty By Nature slouched on
at one in the morning, six hours after doors opened, did they believe they
were being considerate of their fans? Did they imagine that said fans would
have felt cheated if the rappers had come on as early as midnight? I don't
think so. And a gap of more than half an hour between support act and
headliner is pushing it, too. Similarly ...

5. Don't Outstay Your Welcome. And I'm not talking about Boyzone's career.
I'm referring to the widespread fallacy that the longer a concert is the
better value it is - as if film-goers come out of cinemas saying, "That was
great! Three whole hours!" Seventy-five minutes is fine in most venues. Add
15 or 20 minutes if you're playing in a stadium. And I'll make an exception
for Meat Loaf, given that so many of his songs last a quarter of an hour
each.

6. Don't Do Encores. I know I keep writing this, but we must never
underestimate the menace that is the patronising fake encore. For instance,
a couple of weeks ago, Blur completed their "Singles Night" tour. The
concept of each gig was that the band would play every one of their singles
in the order they were released. And that's exactly what happened. So why
did Blur feel the need to leave the stage after "Charmless Man", only to
reappear a minute or two later, as if they couldn't resist the cheers of the
crowd. We knew they had more songs to play. They knew they had more songs to
play. So why pretend it's an encore? Why? Why? WHY?

7. Play Your Hits. Maybe you've recorded only one song that has captured the
public imagination. Maybe that one song has brought you wealth and
recognition way out of proportion with the tiny amount of time and effort
you invested in it. And maybe, rather than being grateful, you have grown to
resent the song, mocking as it does your subsequent failure. Well, tough. He
who pays the piper calls the tune - and the tune he calls is the hit you
knocked out in ten minutes a decade ago. On the other hand, we also want you
to ...

8. Play Some Unusual Songs. Reduce the predictability of your concert with a
cover version or two. In recent weeks, the Flaming Lips have played
"Somewhere Over The Rainbow", the Lightning Seeds have busked through "Be My
Baby" and Macy Gray has done a seasonal "Winter Wonderland". You can take
this idea a step further by persuading a famous mate to join in on one song.

9. Play Live. By which I mean leave as little as possible of the hard work
to backing tapes. It may be difficult for four musicians to replicate, note
for note, an album that was recorded in a 64-track digital studio. But who
wants to hear an album replicated note for note? What we're paying for is
the ingenuity with which you rearrange your songs for a concert setting. Try
swapping instruments every now and then; that usually goes down well.

However, resist acoustic segments, which have become almost as tiresome a
cliché as encores. (And just as fake. I've seen dozens of acoustic sets, and
almost all of them have required microphones and amplifiers and speakers the
size of refrigerators. In what sense are they acoustic, exactly?) If you
absolutely have to play some of your songs "unplugged", do without stools.
We all know that an acoustic guitar is no heavier than an electric one, so
there's no excuse for playing one of them sitting down and the other one
standing up.

10. Choose Good Venues. Well, this one's a whole article in itself, but
let's just say for now that nobody's enjoyment of a concert is enhanced by
queueing outside for half an hour, then being crammed in so tightly they
can't move and can't see the stage over the heads of the people in front.
Although I admit that in the case of Stereophonics gigs, there's so little
to see that a restricted view is hardly going to matter. Which brings us
back to point one ...