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Re: Kenney vs Zak
> Kenney rolls where he should fill.
What do you mean here? A roll *is* a fill. Do you mean he puts rolls
where he should be playing a straight snare, bass drum, hi-hat beat?
> His rolls are nearly mechanical in their precision.
That's a fair staement. Definitely more mechanical than Moon & Zak.
But *not* more mechanical than Simon Phillips' drum-clinic-like sterility.
> His fills are just too damn straightforward.
I understand your use of the adjective "straightforward" here but realize that
compared to a lot of rock drummers, Kenny did take a lot chances when
he played lived. Those fills may be straightforward but he gave you a lot of
'em, too. Live, Kenny could be a moderately aggressive drummer.
> With apologies to
> Schrade, I'll try to textize a typical Kenny fill - <dootle dootle dootlte
> dit dit>
I have no patent on "drum-speak for the internet," so by all means, use it!
> That Faces R&B stuff just does not fly in The Who. Sorry.
I bet you're objecting to Kenny's almost complete reliance on eighth-note rolls
& fills (doot-do-doot-do-doot-do-doot-do). That is true; he almost never
made swashy 16th-note flurry rolls which Moon did constantly. And Kenny
was not a fan of the triplet either (doodle-do). Moon used those quite a bit,
also.
> Zak fills and almost never does a simple roll.
Zak plays simple rolls quite often. Eighth-note rolls usually, too (his Kenny in-
fluence!).
> He keeps it asymetrical and interesting.
More so than Kenny. Agreed. Zak *is* the better drummer for THE WHO.
> Sorry Kenney, Roger had every right to boff Mrs Jones and boot you out of
> the band. Take your medicine, play the Marriott show with Roger and bow at
> Zak's feet. He's the master, you are a farmer.
Poor Kenny the farmer. Out there in the fields. Forced to shoot those healthy
animals within a two-mile radius of the foot & mouth outbreaks.
I hope you're happy, Jeff.
- SCHRADE in Akron