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Re: Water and somebody's daughter



> Now Tanglewood is a perfect example I guess of what I'm thinking.  It's
got
> blistering flowing jams with out question, although I think I like the
more
> direct and violent flow of IOW, better but at the end the band clearly
isn't
> behind the whole "gimme water" shouting thing.

Kevin:

On Tanglewood? To me, that's where they have it best...the closest to what
we Who fans might call harmony. On IOW "someone" is off key (and I don't
mean off quay).
It's much better live, but it's not a great song. Maybe in context with some
element of the Lifehouse story which hasn't been touched on yet it takes on
a meaning of some sort.

> HAHAHAHAHAH thats funny, is this the same Roger who claimed that if it
wasnt
> for the who he'd have been in jail, or the same Roger who Pete claimed
> shagged anything that walked.

Drew:

Now, if one thinks about it Kevin has quite a good point here. I don't
imagine too many young ladies respond well to a fellow who claims he
wouldn't say "No" to somebody's daughter. I mean, just the other day a woman
in my store overheard me say that Air Supply was a "chick band" and got all
bent out of shape...and if they aren't, who is??? The Little River Band?
Michael Bolton? Kenny G?
That's not exactly Pete's single most shining line, is it?


"Actually, I-this may sound a little West Texan to you,
   but I like it. When I'm talking about-when I'm talking
    about myself, and when he's talking about myself,
                all of us are talking about me."
          George "Can I see the real me, can I? CAN I?" Bush

               Cheers                 ML